hart and cole - Sacha T. Y. Fortuné

Launch Day! Book 1 “Climbing the Walls” is LIVE!

Firstly… of course, HAPPY NEW YEAR EVERYONE! May this new year bring you everything your mind, heart & soul desire.

Secondly… TODAY’S THE DAY!!!!!! Woot! Book 1 is properly out, launched and everything!

The best part of Book 1’s relaunch is that I’m now so happy with this book leading the pack.

Because… you know what?

My series is AWESOME! My characters are AWESOME.

I love my book babies. I’m SUPER PROUD of them. I’m super proud of myself for actually bringing them to life.

I hereby declare… I’m AWESOME!

If you’re looking for a heart-wrenching gut-punch of a romance read, go grab Book 1 and dive into the whole series. And be sure to leave me a REVIEW once you’re done. These little nuggets of encouragement (or even criticism!) are writers’ crack and we are junkies for it! ??????

 

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The First Pancake… Take 2!

…And BOOM, just like that, my revised Book 1 is done.

The pre-order is now live and available here on Amazon in time for the release on January 1st, 2021. I’m also just about ready with the print version, which I’ll publish in a few days. Here’s the new trailer:

 

I’m excited. I know it’s a bit silly to be excited over a book that I’ve already published, but it’s been quite a journey.

Climbing The Walls” was my “first pancake”.

The first launch was in July 2018, so the January 1st, 2021 date will be about 2 and a half years since I first became a published author! Crazy, right? Where did the time go?

I’ve learnt a lot since then, and spent months in writer agony wondering if I’d made a huge mistake.

In retrospect, I finally admitted to myself that I may have gone a little gung-ho on the first pancake. I was so excited about the process of FINALLY publishing the book I’d been sitting on for so many years, that I didn’t research and fully understand the market beforehand.

The result was an epic book that — though many readers LOVED, they did comment that it was a bit long-winded.

The Big Chop

Took me awhile, but I finally decided to give the people what they want.

I chopped it down from 550+ pages to 385, the exact length of the other two in the series. And since I’m anal, I’m pretty sure that length (385 for print) is going to be my set point for other books going forward.

It’s a nice balance to get you DEEP into the characters’ emotions, without taking up your entire week or more to wade through.

And I’m proud of my new, sleek book baby.

It’s the same book but just so much better, now that I looked at it with a critical writer’s eye and decided to CHOP, CHOP, CHOP!

So… what’s next?

I’m still sorting out some of the last-minute hiccups over the next couple of weeks, so it’ll be a quiet launch. I still need to unpublish the old one, and link the new one to the series, and transfer my reviews.

I also haven’t booked any promos or book tours as yet, but all of that in time to come.

After initial feedback about the book length, I held myself back from promoting it in some avenues since some bloggers couldn’t commit to reading it. So now I’m a lot more comfortable offering up the shorter version for their enjoyment.

Hell, I’m a lot more comfortable offering up the shorter version for my OWN enjoyment.

Loving your writer self

Overall, I’m super-pleased I decided to do this. It was an epic job to whittle down my first “book baby” to a sleek, no-fluff new edition that will now be leading the series, but I’m so glad I did.

I’m also thrilled with the new cover, which now has more in common with the rest of the series and also gives away more of what the book is about.

And, of course, I’m also adoring the miracle that I was able to pack in the same story but in a much shorter length.

I’ve grown so much as a writer since I first hit “Publish”. This new book is like a brand new me.

No regrets.

Much love to any fellow writers out there who are knee-deep in the “REVAMP” of an already-published book baby. It takes even more out of you than the first version! Keep your head up, and love yourself enough to grow and adapt.

You need to love your writer self, you need to love your stories, and you need to own your book babies.

For me, the best part of this experience is that now that I’m more comfortable with Book 1, I can finally, finally FINALLY settle down and focus on NEW books in the series. I’m hoping Book 4 will see the light of day by 2021.

In the meanwhile, if you haven’t read “Climbing The Walls” as yet, or you enjoyed it and you’re in the mood for a re-read, be sure to check it out. Pre-order for January 1st, 2021!

Buy Now (ebook)

Buy Now (paperback)

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Book Baby’s Makeover

I’ve been a published writer for 2+ years now.

I can’t believe it. Yup, my first book baby turned 2 years old recently, on July 28th.

In all fairness, I was hard-core for about 9 months after publishing, and then my zeal quickly tapered off when other life things took priority. So there’s been a long gap of doing very, very little writer-wise.

It took me awhile to get back to a project I had promised myself to do: editing and re-publishing Book 1 of my series, this time with a better plan for the re-release.

Why edit a book already published?

Well, for one thing, I didn’t become an overnight success with such an unwieldy tome.

Of course, publishing a novelette wouldn’t guarantee any more success, but I know that the size was off-putting to some readers — particularly book bloggers who have far too much on their plate to put that kind of faith in a new writer.

I’ve learnt so much since then, and grown so much as a writer even though I was “dormant” for part of the time.

I also read a lot, and found that there’s a sweet spot with reading — you want a book that feels like a full story, but doesn’t take over your entire life.

What’s new with this version?

Honestly, nothing fundamental.

You’d think that cutting from 555 pages to 385 pages (170 pages) would change the entire direction of the story, since that length of the difference is more than some people write for an entire book!

But… no.

That’s the beauty of editing. If you’re really, really, good at it, it can be seamless enough so that it’s barely noticeable.

I’m a good editor. Scratch that. I’m a flipping fantastic editor.

Problem is: you should NEVER edit yourself. I know this, though I did it again anyway.

Maybe I’m a different person two years later, though. Certainly, reading it over two years later, I saw a lot of things that irked me because they could have been so less verbose.

What was my process?

First, I evened it out a bit. I collapsed chapters into each other that seemed natural to fit together, and then looked for super long ones and cut those.

I got rid of a lot of white space, knowing that my “first pass” would look tight and busy, but then I could keep cutting a line here or there in the final edit.

I just finished this “first pass” a couple days ago, so I still have more editing to do so that chapters don’t end without sufficient breathing room.

Layout is a slippery beast — you want to be on top of that.

And I write a lot of dialogue, so that’s what I cut. A LOT of it. Entire scenes of it. Or huge chunks of it. From everywhere. I gave myself rules as I went along, like:

  • Every paragraph on this page has to be one line less
  • Every chapter ending with a half-page or quarter-page has to get rid of that extra bit
  • Every chapter beyond 15 pages has to lose a page

…and so on.

If you’re disciplined like that, you’ll get there eventually.

How long did it take?

It took me a few weeks altogether. I started when I was on my super-megatrip cruise vacation in April-May 2019, where I had loads of free time with long sea days across the Atlantic, so I managed to ditch the bulk of it at 80-100 pages.

Then a trickle here and there where I ditched a page here and a page there over the course of several months (pregnancy and a new baby is a fabulous excuse for procrastinating!), and then finally a last burst of a push from 411 to 385 in the last few weeks since I moved out from where I was living and into my new home where I finally have the mental peace to focus on writing again.

So… yeah. It’s been QUITE the journey, but I’m here.

My 555 debut book monstrosity is now slim and sexy and a measly 385 pages long.

Why 385, you ask?

Well, because that was the number I had settled on for my other two books — Pandora’s Poison and Pandora’s Price. At the time, I kept those two at the exact page count because it is meant to be a 2-part read. So it seemed like a good number to aim for with Book 1 as well.

Plus, 385 is that aforementioned “sweet spot” for me.

What’s next?

Now that I’ve hit my desired page count, it’s not over just yet. Here’s what still lies ahead:

PRINT VERSION CLEANUP

I still have some more tightening to do to free up some white space for the print version. I ideally like my chapters to have at least a half or quarter page of breathing room in between. So there’s still quite a few lines to cut.

E-VERSION EDIT

Once I’m properly there with the print version, I have to set everything up for the e-version. This is time-consuming and painstaking. I just hope I’ve remembered the steps to link the chapters and add the cover and a million more things.

GET MY NEW COVER DONE

I just commissioned it a couple of days ago. I’m so excited. I’m using a similar image (same woman, same photoshoot) but adding some elements to show what the story is about.

GET MY NEW ISBN

You need this once you significantly edit a book’s page count. I requested this yesterday and should get it by next week. Whoop.

GET AMAZON TO TRANSFER MY REVIEWS

Gosh, I hope they do. It would be a shame to lose them. I hope my edit still counts as the same book, to them. It would be painful to start from scratch.

REMOVE MY OLD BOOK BABY

Sayonara, sucker. Your new version is slimmer and sexier now.

MARKET MY REVISED BOOK BABY

Yeah, I’m not looking forward to this. This is the absolute worst part.

LAUNCH

Currently targeting January 1st, so I have a few months to plan properly.

MARKET, MARKET, MARKET

Sigh. Yeah. Did I mention I hate this part?

Related posts:

The Post-Publish Big Chop: Should I Fix My Fat Book Baby?

Now that my third book is LIVE, I can take a little time to reflect on the journey thus far.

In my launch day post for “Book 2: Pandora’s Poison”, I mentioned that I’d learnt a lot since becoming a published writer, and the book length issue was a huge part of what I’d learnt.

It continues to plague me to this day…

Back to the Beginning…

Usually, once readers start in on the book, it doesn’t feel nearly as long as it really is. There is a lot — a LOT — of dialogue, so it’s easy to flip through scenes.

I know my writing style is on point when it comes to DIALOGUE. My characters feel real because of it. And there’s a lot of it, so it helps you to dive right in.

The problem is, when you’re a reader used to 200-300 page books, and you see a new author clocking in at 500+………. yeah, it’s a hard sell.

While I think my story is worth the long read, and most readers did enjoy it, quite a few harped on the length.

Some said they read every word, some said it discouraged them at first but then they didn’t care, some said it was long but kept their interest throughout, and there was the odd one or two that mentioned skipping ahead or that marked it down primarily for that, calling it “long-winded” despite being such a good story.

But even my amazing blogger who gave it a fabulous, thoughtful review (and who eventually ended up doing an Author Q&A with me because she loved the book so much)… well, even she mentioned, in a nutshell:

“Fabulous story, but it just takes so long to get there!”

The thing was… whether in a good or bad light… it was MENTIONED. It was a TOPIC. And THAT might be the issue here.

I’d love to ignore it and hope I’m one day famous enough to not care. After all, Stephen King can afford to suck his teeth at short-attention-span readers, but even he noted that he went way overboard at times and lamented some of his longer works as he grew as a writer.

You see, sometimes… you’ve just got to kill those darlings!

Length as a Hindrance for Reader Interest

The problem is getting readers in the first place.

My book is already outside the genre norms as my characters aren’t “heroes and heroines” — fair enough. So, adding a super-long length on top of that… yeah, I’m just asking for trouble.

I recently ran a couple of marketing promo services and realised that bloggers preferred to simply promo the book rather than write a review… probably because of the length. So it feels like an uphill battle.

The thing is, I believe in the core of my soul that “published” means “published” and despite the ABILITY to do so, there’s only a small margin of what you really should “edit” once you hit that button.

So I’m still on the fence about cutting down Book 1.

It took me awhile to decide to “cut” my story into Books 2 & 3 and do some rewriting, but at least those weren’t published yet. Making a major change (like cutting 150 pages!) will require a LOT more effort.

I also have to consider what it would mean for future stories — as Book 1 had loads of minor characters with back stories since I knew I had plans for them later on. Sigh.

I don’t know if I have what it takes to “slim down” my first fat book baby. I’m glad that it is POSSIBLE, since I’m a self-published writer. And I know other indies do this ALL THE TIME.

But… still… sigh.

I guess part of it feels like… I’m a bit of a failure, if I have to go backwards and “FIX” my debut.

But… is taking this hit to my ego worth it, in the long run?

Planning for the long (book) trip

I myself don’t always look at book length before diving in. Most times, I just start reading and stop if my interest wanes. Usually, by 10% of whatever the length is, I’ll know.

But readers don’t all think like me. And some are voracious readers and have a very specific idea of what they’re looking for in a book.

Maybe I can’t hit ALL of their “wish list” items, but length can be a deterrent from the jump.

I guess it’s a little like thinking about planning a trip to Australia.

It looks great, I’m sure it’s great. Everyone who went tells me it’ll be great. But it’ll take me over an entire day to get there. So… I haven’t gone yet.

It’s not that I’ll NEVER go. I still WANT to go. I just don’t know when I’ll be prepared to make the trip. And in the meanwhile, I’m popping over to everywhere that’ll take me 12 hours or less…

And, if I’ve ALREADY gone to Australia or somewhere nearby (i.e. read another book by the same author) and I’m familiar with the journey, I’ll settle in and enjoy the 24+ hour trip, as I know exactly what’s coming.

Maybe I’m waffling on about “journeying” because my vacation is coming up and I’m excited! 🙂 But… well, you get the point.

A book is a journey. An unknown author is an unknown destination. So if the destination seems too far in the distance…

Yeah. You see where I’m going with this.

Going backward to go forward

If it were a single one-off standalone, then I would be more comfortable just leaving it in its chubby unwieldiness.

But I’m writing a SERIES. And while you CAN go straight to Book 2, I don’t recommend it.

Most readers will want to start at Book 1. Yep: the fat book baby.

So if it’s an issue that’s going to plague me and all future books in the series… yeah. I have to give it some serious thought.

In the meanwhile, I’ll hold off on promo-ing Book 1 again until I’ve made a decision either way… but in the meanwhile…

Sigh.

A book isn’t a piece of software. I shouldn’t need to do “patches”. It’s a piece of art. It should exist, intact, once revealed to the public.

And I’m an overachiever perfectionist. I don’t do “failure” well. And going back feels like failure. Republishing feels like failure. Needing to have a “Version 2” feels like failure.

But is “failure” worth it, to succeed in the long run?

Can “going back” help me to “go forward”?…

Related posts:

Launch Day! Book 3 “Pandora’s Price” is LIVE!

We’re here. We’re at this point… yep, you’ve guessed it:

Today is the day BOOK 3 LAUNCHES!

Just a reminder — my first published book was released July 28-29, 2018. My second published book was released on January 22, 2019. So there was a good six-month window between Book 1 and Book 2, but only a couple of months until Book 3!

Yikes! So it’s been a helluva couple of months…

Publishing vs. “Net New” Writing

I set a high bar for myself with that two-month window between books, and I don’t recommend this to anyone!

I was cutting it VERY close to the deadline, made a crazy dash to do last-minute edits, and hardly had time to promote both the recently-released Book 2 and the upcoming Book 3! So both books suffered from the short timeline.

BUT I had my reasons. I have a semi-cliffhanger in between Books 2 & 3, so I didn’t want toooooo long of a wait, and I also really wanted to get those books out there as they’ve been around forever!

Book 1 was written over 15 years ago, and what eventually became Books 2 & 3 was finished since 2016! Now, it’s a long way from “finished writing” and actually “ready to publish” but YEARS is way too long.

I needed to get those books out there so I could focus on NEW stories, NEW characters!

I haven’t done much “net new” writing in YEARS, because these books occupied SO MUCH of my head space! I’ve revised and re-read and edited and WORKED so much on what I had, that I didn’t even feel possessed to work on stories that aren’t fully there yet.

So I’m really glad to have Book 3 PUBLISHED, LIVE, AVAILABLE, and most importantly — all its “production” is now OVER.

Now… I can actually, really WRITE.

Book 3: Wrapping Up The Series (for now)

Book 3 wraps up the first chunk of this series. I still have at least two more stories in me for this series — Bryan’s & Stacey’s which will be told in Book 4, and Gianni’s & Vicki’s which will be in Book 5 (not yet titled!). I haven’t figured out how it all ends yet, but I know that the MAIN story is done. Thank God.

The main story was Darren and Luisa… the affair that rocked EVERYTHING. It deserved two books, and I made sure it was PROPERLY told. It’s there. It’s out.

My Book 2 & Book 3 couple is a lot more complicated than Book 1’s. With Darren and Luisa, there’s SO much more. It is SO deep and was SO painful to write.

I’m really glad I ended up leaving it on a cliffhanger so readers could BREATHE between books. Because Book 3 moves SO FAST. There’s a natural break while the two main characters barely speak, but when Book 3 starts back up, it is RAW and goes DARK very, very fast. I repeat:

Book 3 is SWIFT. I’m warning you.

I did spend way more time FEELING my Books 2 & 3 characters, reliving scenes and retooling them. My writing is so, so, so much better by Book 3. I see myself. I am all over the place.

I am Luisa and her indecisive heart.

I am Darren and his desperate redemption.

I am Gianni and his quivering soul.

I am Kris and his eternal regret.

I am Nicole and her volatile seduction.

I am “Hart & Cole”.

They are all a part of me. I am a part of them.

They’re out there. All of them.

And this book is their culmination, for now. Their stories are told. FINALLY.

It’s today. It’s out there. It’s published. Woo-hoo!

Three published books, y’all. I’m a frickin’ WRITER, y’all!

(Now I need to stop boasting and hide in a corner and beg my Book 4 couple to talk to me!)


Get both parts of Darren’s & Luisa’s story now on Amazon:

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Bloggers – The Holy Grail of Reviewers

I’ve been fortunate enough to have snagged the attention of a couple of bloggers recently with my debut novel “Climbing The Walls“.

Mind you, to date I must’ve emailed over 100 bloggers, with about a .0000000001% response rate, and then after sending my book to the few who DID respond… ***crickets***!!!

So I’m eternally humbled and grateful, and so thrilled that these two bloggers took the time and attention to lovingly describe aspects of my book that I myself couldn’t have written better.

I’ll share a few snippets here from my two recent reviews from:

 

The Difference of Detail with a “Blogger” Review

While there are more verbose reviewers who write quite a bit, a typical review usually ranges anywhere from a one-liner to a few paragraphs and focuses on what the reader “liked” and “didn’t like” about the book.

A blogger’s review may do the same, but I’ve found most bloggers would go deeper and unpack the themes and issues they experienced while reading.

As a past Literature student who spent hours ripping apart themes of the books I studied, it’s such a weird and warm feeling to have that done to your own works, by bloggers who in their own right are writers themselves!

I love how Debjani’s review opens, with the line:

“We’re Kris and Nicole. We’re supposed to fit.”

This goes straight to the essence of the story — Kris and Nicole intended to defy all the nay-sayers by having the best relationship possible, and that quote from Nicole shows her insecurity in that moment of doubt where she feels so out of sync with Kris.

Similarly, Eileen also goes straight to the heart of the story:

“How much is too little, enough, or too much sex?”

Kris and Nicole, and their friends with whom they interact, are often talking about sex — which Kris and Nicole have loads of, sure, but it doesn’t make their marriage perfect. Behind closed doors, sex becomes a weapon or a mind game, and it’s the reason Kris has often buckled and gave in, against his better judgement.

The Theme of “Friendship”

Eileen brought up the important theme of friendship, and she was the first reader to zero in on that in her review:

“Are friendships outside of marriage ‘real’, or limited to what the other partner allows?”

Friendship is a key undercurrent theme of the series. Nicole, a sexy and promiscuous waitress prior to marrying Kris, has always struggled with female friendships, and finds more in common with her career-driven boss Darren. But male-female relationships get complicated fast, particularly when his own marriage is on shaky ground.

Kris is close to both men and women, primarily his coworkers Bryan and Vicki, and he also has a close friend from his past, J.J. His world and Nicole’s world don’t often collide in terms of friendships.

Notably, when they are struggling in their relationship, neither Nicole nor Kris initially reach out to confide in these “friends” — even Nicole, who has been hearing Darren’s marriage woes for months.

As these relationships all intertwine inextricably, it brings to the fore whether “friendship” is as important to either party, once their “relationship”/”marriage” begins, and which should take precedence.

Children’s Role in a Marriage

I love that Eileen brings up the topic:

“Would marriages of the various couples in the book survive if they did not have young children to raise?”

This is a question I ask myself when writing, all the time.

When you first fall for someone — chemistry, fireworks, explosion — it’s not the same relationship you will have years down the line, when you have children and your days are preoccupied with school runs, dirty diapers, and chores.

For Darren and Luisa especially, the fact that they already had two kids surely would have impacted their decision to stay together despite her infidelity.

Those kinds of questions are at the heart of my genre I like to call “real-life” romance.

In my series, children are important, yes. And they get the best, cutest scenes! Debjani mentions:

“Fortuné’s writing is vividly descriptive. I could picture Kris planting a sloppy kiss on Kiki, his five-year-old precocious daughter’s forehead. I could also picture him kissing the two-year-old Khai’s chubby cheeks. Lastly, I could also picture Nicole watching all of them… from afar.”

It takes a lot for Nicole to eventually come to a point where she is really ready to surmount her own damaged past and make her family a priority.

 

Adultery & Forgiveness

And finally, we come to the overriding crux of the “Hart & Cole” series. As Eileen asks:

“What is forgiveness? Is adultery the worst crime in marriage, how do couples deal with it whenever one or both of them commit adultery?”

Adultery is everywhere throughout the book — Nicole’s parents’ relationship was fraught with it, Darren’s and Luisa’s marriage is tainted by it, and there are dashes of it everywhere you turn with other minor individuals and couples.

At the end of the day, a relationship isn’t often what it looks like on the outside, and it can be a daily battle just to maintain that façade among friends and family.

Eileen notes:

“Reading the book kept me reflective on issues of friendships in and out of marriage, parenthood, work and employment, and what it takes to live with another adult.”

And Debjani states:

“If you want to read a gritty, real, and raw romance novel, then pick up Climbing the Walls by Sacha T. Y. Fortuné. If you are married, then you are bound to glimpse a slice of your marriage in this book.”

It isn’t all hearts and rainbows, but there is a lot to unpack here, and a lot of love. Overall, the story of “Climbing The Walls” aims to show that adultery doesn’t happen in isolation, and there are no easy answers to how to cope with it.

I hope you’ve enjoyed my recap here. Be sure to read the two full blogger reviews, and check out their other book reviews on their sites:

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Launch Day! Book 2 “Pandora’s Poison” is LIVE!

Finally, the day is here!

It’s my birthday today, but that’s the least of my concerns.

Today is the day BOOK 2 LAUNCHES!

Now, my first published book was a whole six months ago (July 28-29, 2018). So it’s been quite some time bunkering down and absorbing all I can before my second book!

The first (book) pancake

The first book was kind of like the first pancake. Not that it needed to be “thrown out” per se; just that it was the guinea pig.

I’ve grown so much as writer, as a marketing strategist — hell, as a human being! — since.

I didn’t know much at the time. I just knew that I had to PUBLISH THE DAMN THING, so maybe I rushed it a little.

Bear in mind, the draft existed for 15+ years. So the “rush” was really just to “publish” once I’d made up my mind to do it.

And I’m a perfectionist by nature, so even my “rushing it” probably isn’t everyone else’s “rushing it”.

Mind you, Book 1 was edited several times, had a great cover and a good blurb. Which is much more than I can say for many self-published books, so I’m proud I got at least that right (I hope)!

It looked professional, and I got great reviews so far.

Now, I know Book 1 is far from perfect. I love it, and readers did as well, but I personally wish it were significantly shorter — in fact, I managed to dock about 5 pages and re-upload it, post-publication!

But after doing that, I’ve told myself to just leave it alone. It’s out. It’s published. It survived. Move on.

It’ll never be perfect. And there’s no way I can realistically cut 100-200 pages and still tell the same story. There’s also no good point to chop that story in half, and then I’d need to rewrite and “fluff” far too much.

I need to accept that some books fall “outside” of genre norms, and my book just needs to be one of those.

So I’m moving on now, to Darren’s & Luisa’s story.

Books 2 & 3: Moving On

Book 2‘s & Book 3‘s couple is a lot more complicated than Book 1’s.

In Book 1, Kris and Nicole have one major issue in between them: she’s a workaholic, and he picks up the slack far too much with the kids; something’s got to give. With Darren and Luisa, there’s SO much more.

I loved writing their “early” scenes, when they were first falling in love.

I loved writing their “present – bad” scenes, when they’re sniping at each other.

I loved writing their “present – good” scenes, when they’re so tender.

…And that final scene (which bridges Book 2 & 3… OH MY GOD). Wait for it. Just wait for it.

Darren is a VERY difficult guy to love, but still Luisa can’t help herself. She also can’t help herself from feeling caught up in Gianni, who is the guy, as she says, that she “wants to want”.

The thing with Darren is that, as her friend Vicki puts it, early in Book 3:

“Darren Hart isn’t the rainbows and butterflies guy. He’s the one you call when you’re standing over the dead body with the murder weapon in your hand. You’re ridiculously lucky to have that guy. You can’t expect him to be the other kind.”

Even Luisa acknowledges this about him, many times. She’ll get the small-picture stuff from Gianni, but Darren is the big-picture guy. He’s always saving her, rescuing her, taking care of their family in the major ways that count.

That’s love.

When the chips are down, Gianni’s not the one who’s there. It’s Darren. It was always Darren.

You see, love doesn’t always look the way you expect it to look. That’s the lesson Luisa has to learn. And of course, she’s got to learn it the hard way!

So that’s Books 2 & 3 in a nutshell.

Writer Reflection: Gradual Growth

I should mention… Books 2 & 3 are way more emotional, way more steamy, way more provocative, way more profanity-laced, way more EVERYTHING than Book 1! I hope readers are ready!

I’m a little nervous that readers have to wait awhile for the HEA or HFN (Happily Ever After or Happy For Now), and that the semi-cliffhanger may leave them flinging Book 2 (physical copy or their device) at the wall!

But I’ve thought about it long and hard, and I KNOW it’s necessary. Apart from the obvious reason that the length is WAY too long for a single book (seriously — it would only be used as a doorstop!), you also need to take a break from this couple.

There’s a natural “break” between the two books because Darren and Luisa  barely speak to each other for awhile. And a couple of months will be sufficient time to BREATHE before all the Book 3 action kicks off.

Book 3 is SWIFT. I’m warning you.

But anyway, I realise, as I look back at these three books, that I’ve matured as a writer.

Book 1‘s first draft was written when I was in my late teens, on the cusp of adulthood. I knew so little about relationships then! And still, I was writing such a story!

But Book 2 & even more so Book 3… yeah, I was a lot older and more mature by the time those rolled around.

My writing is better. I see myself in these books, more than Book 1.

And I’m ready to rip off the band-aid and expose Book 2 to the world.

It’s happening. It’s today.

It’s out there. It’s published.

I’m a little scared. *Deep breath*… here goes nothing.

Buy Now (ebook)

Buy Now (paperback)

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The Conflation of Motherhood

Motherhood is a HUGE theme in my Hart & Cole series, and I thought it would be worthwhile to focus on this theme for discussion.

In our society, a woman’s worth is often conflated with her ability to not only bear children, but to then selflessly raise them without a thought for herself.

This is the crux of the drama for the first couple in my series, Kris and Nicole.

Nicole: “I could do that whole… mom… thing”

Nicole can do the “dutiful wife” part; that’s easy – she’s always wanted Kris; the problem is that for him, the “mothering” part is also a major part of the wife role, and that’s where she struggles.

They’ve always talked about kids; she never saw herself as NOT having kids. I mean, it’s what you do, right?… whether or not you ever seriously thought about what it meant to have them or what you needed to sacrifice to do so; whether or not you yourself had a good relationship with your own mother; whether or not you ever really saw yourself as a mother.

Both Kris and Nicole come from dysfunctional families, despite the fact that they each had both parents around.

Kris’ background included a working-class home with parents that just couldn’t get it together to be home and actually parent their two kids; Nicole also came from a working-class home and was an only child, but her own parents were a hot mess as well.

For Kris, NOT having the kind of parents he would have wanted, made him even more desirous of the kind of home he wants to build with his own kids.

For Nicole, she just can’t figure out what’s missing in her, that motherhood didn’t come naturally. She’s going through the motions. She’s doing the pick-ups and drop-offs and dinner trade-offs and the natural order of splitting parenthood. She’s trying. But she’s faltering at every step of the way — and she knows it.

She sees how Kris is with the kids, and she envies it — how the kids crawl all over him, how he always stoops to talk to the kids at eye level, how he stops what he’s doing immediately to attend to something his kids want him to do.

She’s just… not like that. She doesn’t know how to be.

Luisa: “Stay-at-home mom”

Luisa, on the other hand, we only get to know in Book 1 through what Darren says about her, but it’s enough to realise she is Nicole’s polar opposite. I’ll focus on Book 1 only for now.

Darren describes her family in passing, and in the little he does say, it’s evident she’s nothing like Nicole. “Worldly” and “amazing” — he originally thought she was out of his reach.

To him, she was the epitome of what he needed on his arm — a trophy, the perfect wife and mother… “warm, loving, but composed“.

She also comes from a upper-middle-class background with both parents and brothers that love her, particularly Alejandro (Lee).

For Luisa, motherhood came naturally.

She’s a mother to her three kids, and even a mother-figure to her younger brother. Since her youngest child was born, she’s stayed at home with her.

As a stay-at-home mom, however, she doesn’t have what Nicole has — the career, the security of self-pride, the knowledge of her own awesomeness as a woman outside of the “mother” label. That’s where she falters.

Darren’s friendship with Nicole centres on his admiration of her talent — the raw talent he helped to develop out of her; and Luisa can sense that connection a mile away.

It’s what eventually leads her into the arms of another man.

Overprotective & Underwhelming Mothers

We also see some minor characters — Carrina, who is only 23 and raising her young son on her own; and Stacey, who dominates every aspect of her children’s lives, hovering to make sure they are mothered enough.

Carrina makes it look easy, and she’s good at it — Nicole sees her with her son and is jealous about how natural she makes it all seem, just like Kris does.

Stacey makes it seem like a job, but she’s also good at it — Nicole sees her as overprotective and overbearing, and rolls her eyes every time Stacey branches off into ‘baby-talk’ with kids.

We also get snippets of Kris’ and Nicole’s childhood memories…

Nicole’s mother constantly berated her husband; Nicole says:

“She made her throat sore from the yelling, the screaming, the squabbling… I remember her with her mouth open, always; the woman never shut up.”

And Kris says:

“Her mamma… was a dragon. Spat fire, that one.”

Kris’ own mother preferred to stay quietly on the peripheries of conflict, rather than getting involved. Even as an adult, she cowers to her husband’s raging temper, and leaves the room when he and Kris start to fight:

“Typical of her. Extracts herself from a situation that she doesn’t want to exist in. I’m surprised it took her this long to resign herself. She did it for twenty-two years while I lived under her roof.”

Give Mamas a Chance

…So there’s a lot here, to unpack, when it comes to motherhood. I think it’s an important theme to focus on, because motherhood doesn’t come naturally; we are fools to believe it does, or that it would, or that it should.

The redeeming quality of motherhood, in Nicole’s case, is that when you DO give her half a chance, she rises to the occasion.

Usually, with Kris being around all the time, being the super-parent, Nicole hasn’t had to try too hard. Kris has always doubted her, and never really gave her a chance to become the type of mom he wants her to be.

When tragedy strikes with their daughter, Nicole doubts her powers as a parent once more:

“I really wish Kris was here. He – he knows her better than I do.”

But, even though Kris does return, it’s Nicole who saves the day and triumphs in her newfound bond with her daughter to understand her and think like her.

Nicole is inherently selfish (as most of us would be, if we let ourselves be!); but while fathers can “get away with it” if they’re “half-arsing” it as a parent, mothers just can’t. Everyone down to her daughter’s teacher – down to her daughter, in fact! – can tell.

Nicole has to go through a journey to see herself as a parent – and it takes a good bit of soul-searching for her to get there, and for her little mini-me (her daughter Nikita) to lead the way.

So, that’s it, for the “Motherhood” theme, for the moment at least! 🙂

I’ll pick another theme to delve into for another post.

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Let’s Hurt Tonight: “Bring The Pain” Writing

“Tell me all of the things that you couldn’t before
Don’t walk away, don’t roll your eyes
They say love is pain, well darling, let’s hurt tonight…”

— One Republic: “Let’s Hurt Tonight”

Every time I hear this song, I think of my Book 2 main characters Darren and Luisa.

My beta readers already know the scene I’m talking about!!!

It happens about midway through their full story — when they each come to their explosive point and all the trauma of their relationship — all the elephants in the room, all the pain of the last four years, rise up as they finally TALK to each other.

In any marriage, in any relationship, communication is key.

This “Pandora’s Poison” of their marriage became that way because they didn’t talk to each other.

Darren had suspicions but no proof, and waited too long to confront her.

Luisa left her lover in the lurch, the moment it seemed like it was too much for her. She crawled back to her husband, begging him not to turn her away.

But he didn’t ask questions then. He didn’t want to know.

Now, he does.

 

The Truth is a Monster…

Darren didn’t leave her after her affair, but it took a heavy toll on him to do so.

Luisa never got her head sorted out, about what she felt for Gianni, when she left him and went back to Darren.

Darren can’t understand why his wife became this different person, with her lover, that she never was with him.

Luisa is positive she wasn’t the only one with a wandering eye, in their marriage.

In Book 1, Luisa tells Darren that he loves Nicole…

Darren hates the fact that she betrayed him, worse than he even thought she did.

Luisa despises the fact that she loves her husband.

Darren has gambled everything for love — which Luisa doesn’t know — and he’s determined to get her to speak.

Luisa wants to walk away and just leave — but he won’t let her, until he knows the truth.

The truth is a monster, sitting in the room with them, finally unleashed.

 

My characters wrote this scene…

They are at their absolute worst.

They’re loud. They’re angry. They’re upset.

It’s… intense. It’s… WOW.

I’ve rewritten this scene so many times, and cried so many times!

Yes! My characters whispered me this scene, over and over, changing which way it went, lengthening it, changing the ending, adding in pieces… WHEW!

They were so adamant about it being precise. They did a good job.

I didn’t write that scene. They did. It’s my best piece of writing, ever, I think — but THEY wrote it.

Phew! I can’t wait to share that scene, with my readers.

Let’s Hurt Tonight” — yep, that’s pretty accurate.

I’m so freaking excited for their story! *Eek*

In the meanwhile, I’ll go back to singing their theme song…

“Tell me all of the things that you couldn’t before
Don’t walk away, don’t roll your eyes
They say love is pain, well darling, let’s hurt tonight…”

 

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Author Interview With QwertyThoughts

I just did an Author Interview with a fabulous online platform for readers and writers to connect: check out Qwerty Thoughts on their website, Facebook page or Instagram feed.

My interview blurb:

Read the conversation between Sacha and Qwerty Thoughts about her Book 1, “Climbing the Walls“, in the real-life romance, Hart and Cole series.

She has a lot of works-in-progress and her series is based on what she believes “A marriage is not a happy ending; it’s a beginning of so much more to come.”

In the interview, I talk about my Hart & Cole series, my favourite writers, my journey as a writer, challenges as a writer, and my advice for budding writing talent!

Visit the QwertyThoughts website to read the full interview:

 

 

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Writing Challenge Day 2: Work In Progress

I’m participating in the Instagram #BAWritingLife challenge by author Bethany Atazadeh and also posting to my blog. Now we’re onto Day 2: Say what your WIP (Work in Progress) ??? is about.

I’m currently working on editing the second installment of my “real-life” romance ? Hart & Cole Book series ? “Pandora’s Poison”. In Book 1 “Climbing The Walls“, we meet Darren and Luisa, who will be the focus for Books 2 & 3.

I LOVE DARREN. I repeat: I LOVE DARREN. I’ve even blogged about how he’s been my longest relationship (15+ years!) so… yeah!

Book 2 Synopsis:

Darren is a serious ALPHA MALE who can control any situation and anyone he comes across… EXCEPT his wife Luisa.

?[BOOK 1 SPOILER ALERT]?…

Luisa cheated on him years ago with Gianni, and they wound up with some serious *baggage* from that affair. Baggage that’s now walking around calling Darren “Daddy”. Yup.

After an ?? EXPLOSIVE ?? scene when Darren first finds out Gianni’s back, he’s now trying to come to terms with co-parenting the child he loves with his wife’s former lover.

Luisa had no closure when she broke it off abruptly with Gianni years ago, and now she’s struggling to hold onto her heartstrings while she is forced to spend time with him so he can see his daughter.

And Gianni… oh, yeah, I love him too. But I love Darren more. Luisa may be conflicted, but I’m the writer so I get to choose who I love! …Even if he’s a righteous dick sometimes! (And oh… he IS!) ?

I can’t WAIT to share him with my readers! C’mon… don’t we all need a righteous dick in our lives? ???

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Editing is Massacre: The Chopping Block

“I’m so, so, so sorry, Lee…” I’m almost in tears, as I delete an entire scene with one of my favourite characters.

But I’m down 50 pages already (woohoo!), and all the nips and tucks in the world won’t get me to where I need to go. I need to edit. I need to CUT.

“Climbing The Walls” (Book 1), was already a bit longer than it needed to be (a criticism I’ve received, and taken in stride).

I felt it myself, during the million-and-one edits, but I justified it: for the first book, you need to take a little time to introduce characters and “drop in” snippets of back stories, little kernels of jewels that you can fully pop and allow to bloom in a later installment.

But enough of Book 1.

For now, my mind and heart and soul are buried deep in Book 2

…Of which, the first draft was already 200 pages longer than Book 1!!!

So… it’s chopping time!

 

What (Who?) to Cut

Lee — Alejandro Galeota — who is mentioned briefly in passing in Book 1 of Hart & Cole, and becomes a somewhat central character in Book 2 of Hart & Cole… Lee is awesome.

At 21, Lee is a big kid and brings some comic relief and support to both Darren & Luisa

He’s Luisa’s little brother, and fiercest advocate. He’s Darren’s new protégé and business partner. He’s the children’s favourite uncle; and at only 21, he’s also a big kid himself. He’s dynamic, he’s supportive, he’s sweet, he’s lovable, he’s funny, and he has some of the best one-liners.

He’s also… well, not the point.

He’s there because he needs to be; he’s the reason certain plot points can move forward, and I’ve been thrilled to build his character out as fully as I can… but now, I can’t. I just can’t.

Editing a book is similar to a film or a TV show. I remember when I watched the Behind-the-Scenes/Making Of one of my favourite teen soaps, the iconic early-2000s One Tree Hill.

There was supposed to be an entire story arc of Peyton helping a troubled young girl, and… when it came time to cut… there just wasn’t. As they explained it, in the end…

You have a certain running time, and instead of tweaking every other scene to chip off bits and pieces to string together a story that still makes sense, you go with the easier option: just CHOP one section out entirely.

And, hard luck for the poor actor/actress who was about to make their debut!

After all, I’m sure we all remember the funny scene on Friends, “Joey’s Big Scene” where Joey faked a scene for his grandma, when his character got cut entirely, after he had invited all his friends and family to watch!

 

When to Cut: White Spaces

Every writer has a process.

I write in Microsoft Word, on a regular 8″ by 11″ letter-sized layout. I do this because I want to have a concept of pages and flow, and in terms of content I know what my chapters should look like, in that layout.

I write EVERYTHING, to start. The story happens in my head in its entirety — every single word of dialogue, every pause, every action, every look between the characters.

Better to have a half-page blank than a few orphan lines of text

Then, I bring it into the template sized for publication (I’ve chosen 6″ by 9″ for Hart & Cole — you can download a sample template here). Here, I see where all the words actually fall, all the orphaned one-words dangling unnecessarily on a line by itself, or the very short page at the end of a chapter.

That’s where my cutting starts — tightening the white spaces.

Yes, you need to leave some of them, to be easy on the eyes, but it’s better to have a half-page or quarter that is blank, than a single line or maybe two on a page by itself!

So, some of the lengthy first draft, thankfully, gets tightened up naturally, once your goal is just to reduce white space.

 

How to Cut: Dialogue

I also write a lot, I repeat a LOT of dialogue. And there’s only so many times you need to write “he says/she asks”.

Yes, you need enough, so that the reader can follow who is speaking, but I focus on using their actions in between their words rather than identifying the speaker with “he/she says”.

For example, early in Pandora’s Poison (Book 2):

“I am just saying… we used to be friends, Luisianna.”

“No, Gianni.” I uncross my legs and pull my feet up, hugging my knees. “We’re just two people who used to f**k, a lot, a long time ago.”

And, a little later down, when Darren and Nicole see each other for the first time in weeks:

Nicole sighs. Her eyes drop to the box at her feet. “So I’m really fired?”

“You wanted to be fired, baby girl. Be careful what you ask for.” I smile ruefully, chucking my index finger in her direction.

Not once did I use the actual words of “speech”, but you know who’s talking. That way, you can get away with getting rid of about 50% of “he said/she said”.

So… dialogue, white spaces… woohoo! You get a few pages knocked off the top that way.

The real problem comes when you realise you’ve invested 20% into a secondary character, who really only needs 10% or less — no matter how much you love every single word you’ve written for him in every scene.

…So, I’m sorry Lee. I’ll try to do justice to you sometime later on!

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Character Development: The “Book Bible”

First of all, you have to remember that Darren loves Luisa.

…To hell and back.

And she’s taken him there, so she knows.

Second of all, you have to remember that Luisa owes Darren.

Even when he behaves badly (and oh boy; does he!)… she owes him…

* * *

My friend and beta reader was determined to dislike Darren, after the end of Book 1 of my Hart & Cole series.

I don’t want to give away spoilers — particularly when I’m not entirely sure when Book 2 will be polished and ready for mass consumption, but basically:

A very, very good man [despite his flaws] did a very, very bad thing. 

It’s easy to look at a character like Luisa and label her “weak”, and wonder why on earth she even makes an effort to forgive him, as she does at the start of Book 2. But you have to remember that everyone’s story is not the same.

This a man who loves his mama, and his two girls; and is raising his precocious son to be a good man.

This is a man who did the unthinkable, years ago, to try to save his marriage.

This is a woman who has always loved strong, imposing men.

This is a woman who broke THIS strong, imposing man, time and time again… and she knows this.

So, I repeat: everyone’s story is not the same.

My character is my longest relationship…

So, yes, up to the end of Book 1, I’m on board with my beta reader friend. I myself, as many women have, have been at the receiving end of a man that crossed the line.

Despite the outcome (and fortunately mine was a “good” outcome), there is that moment of fear, when you’re in an intimate setting… and you’re not 100% sure if your words are going to be enough.

So, like I was saying… there’s no excuse for Darren’s behaviour. And I wholeheartedly agree.

But, you see, here’s the thing: I LOVE Darren.

I’ve loved Darren for 15 years. He’s the longest relationship I’ve ever had.

He’s my favourite character I’ve ever created.

He’s kept me up at night. I’ve rewritten every one of his crucial scenes dozens of times over the years.

He is my Book 2 and Book 3 man, and he’s been the most fully formed character since long before Book 1 even had a title.

Though we meet him throughout Book 1, he doesn’t get to spread his wings until Book 2 and Book 3.

I can’t wait to share him, in his full glory, to the world.

He may be in my imagination, but he’s my muse.

…So I’m determined to make her love him, too. I’m determined to make everyone love him.

…Which means, I’ve got my work cut out for me.

The Journey & The Lessons Learnt

That aside, our ongoing squabble about my character led me to think of how we, as writers, develop our characters.

Is it okay to just let them unfold onto a blank page?

Do we have a list of actions they need to get in, before the story’s climax?

I wish I had such an intricate plan — it would help if I had a bullet point list I could plan around.

For me, my characters control me. I have to wait till they tell me.

They tell me their strengths, their weaknesses, what they can do, what they will do in a situation.

I like to make sure that all my characters learn something and go through something to get them somewhere important in their relationship by the end of each novel.

For Book 1‘s Kris and Nicole, their tumultuous 3-4 months was their relationship’s breaking point… when they were each at their worst.

So how do you keep that in mind, while setting up all the scenes that led them there?

Start with a Premise: 4 to 5 lines

I use a premise-based approach.

My Hart & Cole series overall has a simple premise: RELATIONSHIPS. MARRIAGE. PARENTHOOD. INFIDELITY. INSECURITY. There’s a lot you can do with all of that, without writing an elaborate tale. These are things we all go through at some point in time. These are things we all understand.

Assuming you’re a writer worth even a sprinkle of your salt, once you have the smallest kernel of a story, you can build from that into so much more.

Once you’ve got the premise, you just need to mesh the premise with the characters.

I try to break my premise down to 5 lines or less, and make sure that my characters’ motivation (even though it’s never SAID directly) will trace back to the 5-line character premise.

So, here’s my Book Bible for Book 1:

First of all, you need to know that Kris always wanted kids.

…And Nicole always wanted Kris.

But here’s the thing: you can’t half-ass motherhood and still expect to keep your “perfect” husband.

Second of all, you need to remember:

Mommy forgets everything.

I Command You To Love My Anti-hero

Once you keep that clear 5-line thought in your mind as you write, it’s a lot easier to build scenes around your characters.

If you finish Book 1 of my Hart & Cole series, and then go back to the beginning two chapters (available here), you’ll realise the entire plot is covered in the first two chapters.

Everything that happens, was alluded to there.

All the themes were mentioned; the upcoming “breaking point” event (for *both* of the main relationships)… was right there.

I began with the premise, and I used the premise to help with the foreshadowing of events to come.

By the time Book 2 rolls around, you soon realise Darren’s bad behaviour (from Book 1) was inevitable. Events led him to that point; he didn’t get there on his own.

Then Luisa… I had fun with her, because there’s so much about her character to dislike; she may be the least sympathetic to some readers!

But Luisa’s a good girl. That’s important to remember.

What’s more important to remember is that good girls do bad things.

And the bad girls; the bad boys… sometimes, they are the best of all.

“You’re one of the good ones, Darren Hart,” Nicole says to Darren, in Book 3.

And he is… oh gosh. I promise you, he is.

So like I was saying, I need to make everyone love Darren.

I’ve got my work cut out for me. Let me get back to it…

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The Publishing Journey: Fear & Procrastination!

So… Hart & Cole Book 1.

It’s officially out. It’s published.

It’s available. ANYONE can get it, ANYWHERE in the world. On ebook or paperback. It’s OUT THERE.

I’m excited. I’m thrilled. But more than anything, I am, in a word… TERRIFIED.

I’m fortunate to be able to say I’ve accomplished a lot of great things in my life, but still — just being able to push that “Publish” button, and open the whole wide world to a piece of my mind… it’s one of the scariest things I’ve ever had to do.

I’m not kidding when I say I’ve been sitting on this book for over a decade and a half. It’s the first book I wrote for adults — and I began writing it when I was just at the cusp of being one myself, in 2002! I finished it somewhere around 2003-2004 or so, and then… I sat on it.

Well, I shared it with a few friends and family via email or hard copy, and I shared excerpts at Writers’ Guild at my uni, Lancaster University. And, that was it.

It just sat there.

Half a dozen times, I looked into publishing — more specifically, self-publishing — but I didn’t follow through. Back then, self-publishing was practically unheard of.

By 2011-2012, e-readers became ubiquitous. I regained interest in self-publishing, and fine-tuned the blurb.

It took awhile to cut it down to something that could easily capture what the book is about, without giving too much away.

Then… I sat on it some more.

 

The Perfect Cover

Around 2015, I felt the urge again to get back on this project, so I looked into getting a cover done.

I asked two graphic designer friends who, separately, took forever to produce nothing.

I love them still, though… and as one of them (who hadn’t read the book) scolded me:

“This is YOURS. You can’t leave it up to me to create your cover. YOU know what it needs to look like.”

Damn right.

I found this to be even truer and more relevant, when I found a professional (read: “a stranger, with a deadline, who was actually getting paid“) to do the cover, via the freelancer site Fiverr. Her first draft was awful.

I can’t blame her for that though — she didn’t know me, or my characters. But once I gave her some guidance, she delivered.

The first draft (left)… awful. She soon redeemed herself though (right)!

I had to find the photos myself — which took eons to stumble upon the main “perfect” one, and the others from which to sample.

Then, I told her how I wanted it edited — mainly, my character needed more hair. Lots of it: curly, wild, crazy hair.

I know graphics… so I know you need to be talented to be able to work with human hair! I love the final product, and I’ve used the same designer again for my Book 2 cover.

But I knew, while I was fretting and taking — quite literally — years to do a book cover!… I knew that my first book cover, my first foray into the Hart & Cole series, my Book 1 covergirl, my “Nicole” (and you get this sense of entitlement, of protective ownership about “your” characters) is mixed-race, sexy, and vulnerable.

The cover has to say all of that.

Hopefully, it did.

Getting the cover done was a huge step that propelled me the rest of the way.

I made it the screensaver/background on my phone, so that I looked at it every day — constantly, until it pissed me off that I kept seeing it and hadn’t published it yet!

 

Where & How to Self-Publish

Then, I did my research.

Amazon is a great publishing platform. There are LOADS of others. I chose Amazon because of its popularity. There are drawbacks, but nothing that was a dealbreaker for me.

The one thing I did find in my research worth mentioning (which many, many, many people stand by, if you are serious about being a writer) is that you should get your own ISBN.

It took me quite a bit of running around to figure this one out, and after contacting international and then regional agencies, I found out Trinidad & Tobago has our own ISBN agency in the National Public Library.

So, ISBN purchased, I had no excuse now.

All that was holding me back was myself.

I proofed my book again several times on-screen — adding comments to its PDF version with Adobe Acrobat Reader, then making the edits in Microsoft Word, and then again while I was creating the e-book version through Kindle Create.

Then, I printed hard-copy proof copies through Amazon’s Kindle Direct Publishing and when they arrived in the mail, I proofed those several times yet again.

Proof copies – glossy/white & matte/cream… my final choice was a combination!

I chose between a range of template sizes for the book; here are some awesome tools to get what you need: KDP Manuscript Templates and KDP Cover Templates.  I played around with glossy and matte covers, and white and cream paper.

Tip: White paper is a little thinner, so the cover template will be off-balance if you sized it for cream paper! (I learned this the hard way!)

I eventually settled on a glossy cover, with cream interior paper.

And, each time I printed it, I proofed it for errors yet again.

I’m sure if I proof it another time, I’ll still find things I want to change.

But…

At some point, you need to let go.

You need to let go of your characters, so that you can share them with others.

And, most importantly: you need to let go of that fear of failure.

Publishing — overcoming that fear to hit that “Publish” button — is still just only one tiny step to becoming a writer.

Next comes… Marketing. Eek. 

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